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a/PART Series No. 2

This ongoing series of work comes about as a response to my musings on belonging, sense of place and how one forms identity. Jewellery is often worn as a signifier of how we see ourselves belonging to a place or time, has memory or sentiment deeply attached to it and is a vehicle for personal expression. These particular works are intended as a statement about the dichotomy in contemporary human identity that points to a deep, innate desire to a part of nature, yet a vast separation and being very apart from it.

Other ideas that weave their way out of my hands and into this work includes the commodification of nature at the hands of development and commerce, due to our collective separation from it. This in turn has it’s part in the housing crisis that can be observed happening all over the world. Additionally these works raise questions around the sustainability of my trade (jewellery design + production) and its impact on the environment. The ephemeral nature of these works is an intentional contrast to the 'forever-ness' of standard jewellery items.

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In the spirit of respect and efforts towards reconciliation, I acknowledge the place that I call home to be on the ancestral territories of the Blackfoot Confederacy (Siksika, Kainai, Piikani First Nations), as well as Treaty 7 signatories, the Tsuut’ina Nation and the Îyârhe Nakoda (Chiniki, Bearspaw, Goodstoney First Nations). Today this land is also home to the Otipemisiwak Métis Government (Districts 4, 5 + 6) and many other First Nations and Inuit from across Turtle Island. I am so grateful to be here and for the care provided to my ancestors when they first arrived on these shores by First Nations communities. 

© 2025 All rights resesrve by Kari Woo

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